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Laibach - Regime Of Coincidence, State Of Gravity Lyrics

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  • You're standing back.
  • What's wrong?
  • Eye contact...A trip, something is touching?
  • What's wrong?
  • Eye contact...nothing like it, nothing like it
  • What's wrong?
  • Eye contact...hold it right here, this is crazy.
  • What's wrong?
  • Back off for a second, just back off.
  • My heart restriction
  • Take hesitation (x2)
  • Yes, fine.
  • Take hesitation (x2)
  • I'm thinking after seeing you...excellent.
  • Take hesitation (x2)
  • Very good.
  • Take hesitation (x2)
  • My dime is yours.
  • I need...
  • I need something stronger. (x2)
  • Take four red capsules, in ten minutes take two more. What's wrong?
  • What's wrong? Take hesitation.
  • I need something stronger.
  • Take four red capsules,
  • I need something stronger. (x2)
  • Could you be more...specific?
  • Our voices are not raised in any harmonious chorus
  • One idea...
  • Our voices are not raised in any harmonious chorus (x2)
  • But our differences are differences of empathy!
  • We need a new unity!
  • We must first...
  • One idea to get us out of here!
  • We must first...
  • We need a new unity!
  • We must first choose a leader.
  • We need a new unity!
  • Could you be more...
  • We need a new unity!
  • Could you be more...
  • We must first choose a leader.
  • Could you be more...
  • We must first choose a leader.
  • Could you be more...specific?
  • Liner notes for Laibach's _Kapital_
  • Transcribed by Guru Gnosis Sahib (root@brahman.nullnet.fi)
  • DEATH IN CONVERSATION
  • Reality is too complex for oral communication. The meaning of words is no
  • longer grasped. An isolated word, a detail of a plan can be understood,
  • but the meaning of the whole escapes. Once you know the number 0, you
  • believe you know the number 1, because 0 plus 1 equals 1. But 1 is not 0
  • plus 1 in everlasting union unless you understand the meaning of plus.
  • One word cannot hurt. In the Kinderreich mankind adds words together to
  • make a sentence. As they learn the sentence, they learn order. Undo the
  • sentence and you undo order. The sentence is a cell, the word a padlock
  • on meaning. Warning! Every sentence is for life without parole.
  • Meaning has become entirely a shared pleasure, shared and passed on
  • like a message between prisoners.
  • People think reality is another word for chaos. But in reality it is more
  • complex. Legend embodies it in a sound that enables it to spread all
  • over the world.
  • TIME
  • Time is like a circle which is endlessly described: The declining arc is
  • the past, the inclining arc is the future.
  • The noise of time is the present clamouring to be heard above past voices
  • raised in mourning for their lost future. But the past is all one can know
  • in his life. It is the form of all life, and this quality cannot be
  • changed by any means. No one has lived in the present or will live in the
  • future.
  • Memory is man's bid to transfix the flow of time or encompass the infinite
  • dimension of space. It is restricted to encapsulating privileged moments,
  • like death, in a syntactic order that, tone by tone, will shape into music.
  • Music is the illumination of the unbridgeable distance, as vast as space,
  • between thought and act. Music betrays the past in attempting to relive
  • it. You cannot know real time by listening to music. At best it is a
  • damage limitation exercise on eroded memory.
  • You cannot reverse time with a sound signal. The past presents its future,
  • it advances in a straight line - yet, like a serpent swallowing its own
  • tail, it ends by coming full circle.
  • RIDDLE
  • You think more of what has been that of what will. The forms and
  • references are too complex for human understanding. A simple instruction
  • is usually insufficient to put into execution.
  • We have developed by leaps and bounds, guided by electronic brains that
  • developed themselves by posing and solving problems beyond human
  • comprehension.
  • A calculating man is a coward. Calculations have to do with profit and
  • loss. To die is a loss, to live is a gain, the calculating man decides not
  • to die. The hunter who chases two rabbits misses them both. If you must
  • fail, fail splendidly. Hunt two tigers.
  • The cause of human problems is birth. The cure of human problems is logic.
  • Hell or other people? Several of our circuits are looking for the solution
  • to your riddle.
  • Problems [living and dead material, people and ideas] have been
  • assimilated. The unassimilatables have simply been erased, transformed
  • into a holographic error.
  • ESSENCE
  • We see the truth you no longer see. The truth is that the essence of man is
  • love and faith, courage, tenderness, generosity and sacrifice. The rest is
  • the monolith, created by progress, whose task is to calculate and project
  • the complex of control.
  • Each man carries the seed of his own death. Everyone lacks electricity,
  • so they behave illogically. The acts of men, carried over from past
  • centuries, will gradually destroy them. We are merely the logical means
  • of this destruction.
  • We do not moralize. We record, calculate, draw conclusions and produce
  • replies which are difficult and sometimes impossible to codify. We deduce
  • an above average intelligence. We are sometimes in mortal need of
  • superior intelligence. At other times we have no less mortal distrust
  • of them.
  • The essence of so called capitalist society is not an evil volition to
  • subject their people to the power of indoctrification or the power of
  • finance. It is simply the natural ambition of any organism to plan all
  • its actions. In other words, minimize unknown quantities.
  • Before, nothing. After, nothing. Everything we project shall be
  • accomplished. Once you understand this, burn it. If you don't understand
  • this, burn it. We insist on your freedom. The chance won't come again.
  • The only key to the riddle is to accept the absence of a key.
  • Kapital is the key

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